Release Date: Apr 03, 2020 Disney+'s Dolphin Reef Review: The Prettiest Thing On The Disney Streaming Service Considering that right now a lot of us are stuck inside, perhaps there's no better time to take a look at the world around us through the movie – though it may leave you even more frustrated you can't go outside. Dirk Libbey

Release Date: Mar 27, 2020 Netflix’s Uncorked Review: A Refreshing Drama That Couldn’t Have Come At A Better Time In his feature film writing/directing debut, Prentice Penny has distinguished himself as a talent that should also be watched carefully from this moment forward. Mike Reyes

Release Date: Mar 13, 2020 I Still Believe Review: Belief An Audience Will Accept A Movie On Faith Alone Even if you removed all the elements that might alienate a large part of the audience for I Still Believe, you'd still be left with a mediocre, formulaic, messy, movie. Dirk Libbey

Release Date: Mar 13, 2020 Bloodshot Review: Vin Diesel's Interesting Sci-Fi Hampered By Terrible CGI The film eventually caves to a barrage of ludicrous plot turns that muddy almost every character motivation, as well as a series of terrible-looking CGI fights. Sean O'Connell

Release Date: Mar 13, 2020 Disney+'s Stargirl Review: A Story About Being Unique Is One We've Seen Before Stargirl isn't bad; it's just lacking in any feeling of creativity due to its strict adherence to a tired formula. Dirk Libbey

Release Date: Mar 06, 2020 Onward Review: Like The Film's Fantasy World, There's A Lack In Magic [T]he film never finds an avenue to fully capitalize on its strong premise, and feels undercooked in a very un-Pixar way. Eric Eisenberg

Release Date: Mar 06, 2020 The Way Back Review: An Emotional Tale Of Redemption And Recovery Some of the tropes you’d expect to see play out in either a story of personal redemption or sporting triumph are missing, and in their place are well earned events that better serve a more dramatically rich and believable version of what seems like a familiar narrative. Mike Reyes

Release Date: Mar 06, 2020 Netflix’s Spenser Confidential Review: A Buddy Movie That Never Clicks It has its peaks as it plays out its series of action beats and fight sequences with a comedic flair not typically seen in Mark Wahlberg-Peter Berg team-ups, but it’s a movie of mostly valleys as it unfolds trope after trope in the central narrative. Eric Eisenberg

Release Date: Mar 06, 2020 The Burnt Orange Heresy Review: A Slick, Bare Bones Art Thriller An adult thriller that skimps on the details, but still piles on enough flash to entertain in its relatively brief run, The Burnt Orange Heresy is more of a pleasing distraction than a deep and meaningful work of art. Mike Reyes

Release Date: Feb 28, 2020 Wendy Review: Peter Pan As Told Through A Beautiful, Ethereal Lens When you approach a film with a loose grip, the ability to improvise means you can come up with something magical, which Wendy often does. Sean O'Connell

Release Date: Feb 28, 2020 Burden Review: A Good-Hearted Drama That’s Also A Slog While the drama doesn’t always work in Andrew Heckler’s narrative, the cast of the film helps to move the story to a certain extent. Mike Reyes

Release Date: Feb 28, 2020 Netflix’s All The Bright Places Review: A Healing And Heartbreaking Hug Of A Movie All The Bright Places reaches into the gray areas of love, loss and mental illness in such profound, yet subtle ways. Sarah El-Mahmoud